Loneliness is a desperate thing and a thing desperately hard to capture in words. But when the wish for connection becomes reality, the heart trembles …

We are isolated for several reasons. What happens in our head is unique. Intimate communication is a struggle. We are surprised at the blunt instruments words become. The indefinable essence is too often lost, subject to the way we sound, our facial expression; and the auditor’s capacity to listen. Without his ability to identify some likeness between his experience and our own, the effort is futile.

Nor do we even fathom ourselves fully. Messaging cannot deliver a meaning unknown to the sender. The most insightful among us still are trapped looking at themselves from the inside, unable to escape a claustrophobic perspective – unable to discern the unconscious. Meanwhile, the vantage point from outside is second-hand news, told to us, but not known by us.

Self-knowledge is imperfect, not comprehensive. Humans accept obvious motivations and easy explanations to explain themselves to themselves. Who even considers the many causes of a simple task like deciding to grocery shop today? Hunger, scheduling, a sale on peaches, your child’s request for a particular food, a friend’s comment about a good meal, a cooking show you watched, or all of these? We admit, at least, that love is inexplicable, our heart a mystery.

Hope of connection lives, nonetheless. The desire for understanding overpowers the complications. And sometimes hope is fulfilled.

Dostoevsky, the great Russian novelist, understood this. Two characters in his masterpiece The Idiot – a towering achievement in reckoning with the complexities of personality – express their separation from the mainstream of society.

Dostoevsky presents an embittered young man, Ippolit, within weeks of death; who himself believes he will never be understood, yet strains to be heard, recognized, and accepted:

In any serious human thought born in someone’s head, there always remains something which it is quite impossible to convey to other people, though you may fill whole volumes with writing and spend thirty-five years trying to explain your thought; there always remains something that absolutely refuses to leave your skull and will stay with you forever; you will die with it, not having conveyed to anyone what is perhaps most important in your idea.

The novelist’s title character is a casual friend of Ippolit, a saintly and open man named Prince Myshkin. Ippolit and Myshkin, despite their differences, both want connection.

The following narrated passage recalls a time when the young Prince was in treatment in Switzerland. Expressing himself was then a particular challenge. He led a life alone, separate, cut-off:

Once he went into the mountains on a clear, sunny day, and wandered about for a long time with a tormenting thought that refused to take shape. Before him was the shining sky, below him the lake, around him the horizon, bright and infinite, as if it went on forever. For a long time he looked and suffered. He remembered now (years later) how he had stretched out his arms to that bright, infinite blue and wept. What had tormented him was that he was a total stranger to it all. What was this banquet, what was this everlasting feast, to which he had long been drawn, always, ever since childhood, and which he could never join. Every morning the same bright sun rises; every morning there is a rainbow over the waterfall; every evening the highest snowcapped mountain, there, far away, at the edge of the sky, burns with a crimson flame; every ‘little fly that buzzes near him in a hot ray of sunlight participates in this whole chorus; knows its place, loves it, and is happy’: every little blade of grass grows and is happy! And everything has its path, and everything knows its path, goes with a song and comes back with a song; only he knows nothing, understands nothing, neither people nor sounds, a stranger to everything and a castaway.

Notice the character’s reference to a fly. He is quoting his young friend Ippolit, the man near death, the one struggling to be understood. And in this moment, the Prince recognizes his own sentiment. Dostoevsky continues:

Oh, of course he could not speak then with these words and give voice to his question; he suffered blankly and mutely, but now it seemed to him that he had said it all then, all those same words, and that Ippolit had taken the words about the ‘little fly’ from him, from his own words and tears of that time. He was sure of it, and for some reason his heart throbbed at this thought …

At such moments in the mountains – in the empty spaces of life – we wait for the voice of another to utter our thoughts, intuit our mind, touch us by understanding our sentiments. It is as close as one can come to escaping the solitude of the human species, finding a soul who matches us at least a bit, at least for a time …

Those most desolate among us, those most cut-off, quietly despair of finding such a witness: one who not only sees, but understands. The inhabitants of hope’s waiting room are on every street, in every therapist’s office. If they persist – as they often do – the moment of hope’s fulfillment is transcendent.

As William Blake wrote in Auguries of Innocence:

To see a World in a Grain of Sand
And a Heaven in a Wild Flower,
Hold Infinity in the palm of your hand 
And Eternity in an hour.

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The first image is William Blake’s Ancient of Days. Next comes Jean-Jacques Henner’s Solitude. These are both sourced from Wikimedia Commons. Finally, a photo of Cadillac Mountain in Arcadia National Park.