When Sex is Too Much Trouble

512px-Sexy_secretary_e

If you are young enough, the idea of sex as a chore is beyond imagining. You know you will change as you age, but the thought of sex as a job, obligation, or — worse yet — too much trouble, is inconceivable (pun intended). You’ve heard, perhaps, of those who lose interest, but don’t really think you ever will; and are too busy with the mating game to put your mind into an unattractive future (in both senses), whether due to the march of time or other factors.

Philip Roth tells us about a re-evaluation of the sexual project, as we read the viewpoint of his narrator in The Human Stain. Indeed, the character’s altered attitude toward sex drove him to move from the city to the seclusion of the countryside:

 My point is that by moving here I had altered deliberately my relationship to the sexual caterwaul, and not because the exhortations or, for that matter, my erections had been effectively weakened by time, but because I couldn’t meet the costs of its clamoring anymore, could no longer marshal the wit, the strength, the patience, the illusion, the irony, the ardor, the egoism, the resilience — or the toughness, or the shrewdness, or the falseness, the dissembling, the dual being, the erotic professionalism — to deal with its array of misleading and contradictory meanings.

The complaint is not unknown. Indeed, some men prefer sex with prostitutes because it takes care of the problems driving Roth’s narrator to isolate himself from sexual encounters altogether. For those men, the exchange of dollars for skin does away with the “misleading and contradictory meanings” and the emotional and behavioral role-playing they find so bothersome.

We do a lot for sex — at least for the connectedness and commitment we hope will come with it. Would the amount spent on cosmetics, hair supplies, skin creams, Viagra, sex toys, personal trainers, gym classes, face lifts, breast implants, hair plugs, mirrors, bar bells, watches, clothing, cars and jewelry total nearly so much without the hope of a sexual or romantic payoff?

How much time is spent choosing those items and activities? How much time in using them? How much time in wondering whether they have done the intended job? How much time observing whether anyone notices?

Sex is in the scent of perfume and pheromones and aftershave. Romance and seduction are on the air of radio broadcasts and TV programming. Sex sells cars, shoes, and itself. But don’t, please don’t point out the obvious: you would be considered crude. By comparison there is some honesty in the professional transaction of money for sex; one could argue, more than is inherent in the pursuit of a trophy spouse or the prospective mate’s willingness to become a sexual hood ornament.

Roth’s point, however, is more subtle than any of these things. He is referring to learning the steps of the mating dance and performing them to perfection, even when you don’t like the music. Part of his concern is the sheer effort involved, the fashioning of disguises, the worry that you are boring, the time to make yourself look good, the forced concentration on the other person while stifling a yawn, the calculations designed to impress, the compromises, the things said to promote yourself, and those unsaid to hide what is unbecoming.

Then there are the questions of strategies and tactics, the intracranial meeting of your own personal staff of generals to call the shots as if you were embarked on a military campaign: when to phone or text, when to touch, when to flatter or smile or laugh, when to be unpredictable and what you can predict about the target’s vulnerabilities and impregnabilities.

If one’s heart is aflutter, an attempt to comprehend what is going on in the relationship is inevitable, despite your flustered, pulsating state of body and mind. Your conception of the union’s status may not coincide with what the other thinks or hopes, but consumes much time and psychic energy. Curiously, Roth’s character does not mention the frank danger of sex. The dreaded risk of injury, the extraordinary vulnerability, the nakedness in every sense, involving every sense.

He seems more concerned with the way one is captured, thrown about, unbalanced by an enticing companion. The brain is pitched into the trash heap because there is no reasoning with all the impulses holding sway. Sex presses you to do things you wouldn’t otherwise do and experience half-crazed feelings of pre-relationship desire, early relationship passion, and end-of-relationship desperation.

How do we maintain a full-time job with all this happening?

Some don’t, you know. The burden of the sexual road show can’t bear the tumult or spare the time to do those other things.

Sexy

Should you be young enough, the excitement of the chase, not to mention your raging hormones make the carnal marketplace seem the only place to be; an arena that might define you as popular, alluring, or powerful. For a few, this comes naturally. For most, the meat market is a little like being placed on a skating rink before you’ve learned to walk; too much, too soon. Still, our genetic programming pushes us into the fray.

Time strips away the appeal and ratchets up the cost sex exacts, just as Roth suggests. The hormonal flush diminishes gradually, while the desperation mounts. The psychic scars of failed relationships make one hesitate, but the clock is running. Not just the ticking biological time bomb, but the worry you are gradually becoming invisible to members of the opposite sex because your shining externals don’t have the glow of their best years. A receding hairline, or growing waist line tell you your “use by” date is approaching much too fast. Meanwhile there appears no end of competitors who want to take your spot; less weathered or younger or richer or just simply smarter and better looking.

All this is more than enough to make one nauseous, anxious, or depressed.

Some do, temporarily or permanently, throw in the towel — give up on the sex project. You can have a rich life without lust, but it certainly is different from the wildly urgent existence of the sexual being, where youthful animal instinct meets the combustible allure of the primordial creature in heat.

Celibacy meet-up groups exist around the world, although not all of the folks in these are abstinent by choice. Some are like Roth’s fictional character, choosing to be free of the trouble of sex. A portion of those who opt for continence may resist the lure of flesh as a kind of discipline or a way to concentrate on other things and grow personally; perhaps to sublimate their sexual energies, focusing on something beyond and above the narcotic of skin and the grip of Mother Nature’s hard-wired programming.

Resisting temptation is always an interesting and difficult project, so there is doubtless knowledge to be gained in it, much as any kind of philosophical or religious abstinence provides, like a day of fasting.

How long would you travel this solitary highway?

512px-Monique_Olsen

There are as many ways to live as people who are living. One such way could include a span of time without sex. The world is beautiful and forever new if you only look hard enough. Intimacy does not require some sort of penetration of bodies.

For myself, if I were to take a break, I’d schedule a winter in a forbidding place where everyone is covered up.

I’d have lots to do — things of importance to me.

When spring comes and the comely shed their coats?

That would be another matter.

The images, in order: Sexy Secretary Drawing by Dimorsitanos, With Reference to Sexy by Mickey esta en la casa, and Monique Olsen by Christopher Peterson. All are sourced from Wikimedia Commons. This essay is a revised version of The Emotional Cost of Sex, published in 2012.

Do You Know Who You Are? A Meditation on Identity, Mid-life Crisis, and Change

https://i0.wp.com/upload.wikimedia.org/wikipedia/commons/8/85/Pentdod_gruen_neu_anim.gif

Who are you?

In times of war, men define themselves by three pieces of information only: name, rank, and serial number. I suppose that the peace-time equivalent is name, profession, and age; not social security number, which you are wise to keep to yourself for fear of identity theft. Stolen identities aside, the question of who you are is still an important one.

But let me formulate it differently.

How would you describe yourself? What human characteristics or traits or values are essential to you? What makes you different from any other person on earth?

Let’s start at the beginning of life. You are given a name. How does the name define you and influence the rest of your life? If you are A Boy Named Sue, as in the old song, you can be sure that your identity and life have been changed by your parents’ decision about appellation. Indeed, there is now research evidence that some names, those thought to be used predominantly by blacks, cause potential employers to discriminate against a job applicant’s resume when compared to individuals with the same qualifications who have names that are less racially-linked.

Name-changing has long been a way for white Americans to avoid discrimination based on ethnicity or religion. Others had their names compromised when reaching this country from Europe and were processed for entry to the USA on Ellis Island. Thus, a Paderewski became a Patterson and a Rifkin became a Riff, due to the simplifications created by the randomly assigned immigration official. And, from the start, the new arrival had to deal simultaneously with a change of name, a new nationality, a loss of homeland, and the now restricted opportunity to use his native language, all playing on the question of his identity. Meanwhile, his young offspring encountered the attitude of teachers (and, much later) potential employers or lovers to someone named Patterson rather than Paderewski, just as he saw himself as the former and not the latter.

For the immigrant, the “dislocation of place” both parallels and creates the dislocation of his sense of who he now is. The person has gone from being (perhaps) an unremarkable resident of his home country to someone “different,” who speaks (at best) with an accent, and who has a history that is at odds with the shared past of his new neighbors. The man has become, truly, a stranger, but he is not just strange to others—he is strange to himself.

Just as some people voluntarily attempt to hide their ethnicity, so too do some few work to hide their race. You might want to watch the 1959 movie, Imitation of Life, starring Lana Turner and John Gavin, for a cinematic take on this subject, the attempt to pass for white. More recently, Philip Roth’s year 2000 novel The Human Stain (and the movie of the same name) deals with a black University professor passing as a white man; and Bliss Broyard’s 2007 memoir One Drop: My Father’s Hidden Life—A Story of Race and Family Secrets describes her father Anatole Broyard’s self-transformation from black to white within the literary world.

And one must give at least brief mention of a condition called Gender Identity Disorder, in which children may be born anatomically of one sex, but of the opposite sex in terms of identity.

Religion also helps create one’s sense of self. As the European generation who survived World War II began to approach death, a number of adult Polish Catholics discovered, through these aging parents or other relatives, that they were born Jewish. The children had been rescued from the Holocaust by Polish gentiles. It was therefore often easier and safer to treat them as Catholic during the Nazi occupation than to try to persuade them to keep a secret of their religion. Once this identity alteration was performed, however, it proved to be hard or uncomfortable to undo, particularly in a nation with an antisemitic history. The revelation of the religion into which they were born surely transformed the identity of a number of these religiously recast people.

Revelations of another kind occurred in post-World War II Germany. The children of Nazi authorities and SS members did their best to keep their identities secret for fear of being prosecuted for crimes against humanity. Nonetheless, their children sometimes discovered (to their dismay)  the answer to the question “What did you do during the war, daddy?” This type of revelation can lead the child to wonder who he really is, and whether he has inherited some of the unfortunate qualities of his father.

The 1989 movie Music Box starring Jessica Lange and Armin Mueller-Stahl deals with a similar circumstance, but one transported to the Chicago area. It involves the question of a father’s activities in Hungary during the war and his daughter’s legal defense of him against the US government’s attempt to deport him.

If you have seen or read the Arthur Miller play All My Sons, you know still a different take on the same theme, this time without war crimes entering picture, at least as they are usually defined. The play takes place in post World War II America. Joe Keller ran a wartime factory with his former neighbor, Steve Deever. The men knowingly shipped defective airplane cylinder heads causing the death of 21 U.S. Air Force pilots. Steve goes to jail for this, although somehow Joe is exonerated of the crime. But when Joe’s pilot son Larry finds out what his father has done, his shame translates into suicide, so devastated is he by the identity-altering knowledge of who his father is and what his father has done.

As I hope these examples make clear, the question of your identity also involves awareness of who your parents were or are. Adopted children often seek out their biological parents, as do those who have been abandoned and left with only one parent to raise them. They also lack the medical history that informs the lives of those of us who know our parents well. The difference can mean life or death. Am I at risk for heart disease or not? It depends, in part, on who your parents are or were, and that information can change your life.

Children who have lost a parent to disease or death-by-accident or in war-time have a similar problem, even if they don’t have to deal with the knowledge that a parent or parents gave them up, and the attendant implication that they were worthless to those parents. And, their identity is influenced by the fact that they are “different:” the ones who lack a parent, have no partner at the daddy-daughter dance, have no father to teach them to play ball and no male parent to root for them at the Little League game.

Shifting gears, our identities are surely influenced by physical and intellectual characteristics: short/tall, young/old, handsome/homely, smart/stupid and so forth. But not all such qualities are fixed. Witness the change in identity that happens as people age, especially if they were once beautiful or handsome, or once athletic and now infirm. For those who trade on superficial characteristics exclusively, the change that comes with the passage of time is more than troubling.

Gorgeous women, in particular, find that they no longer turn the heads of men so much, if at all. Instead, the male of the species looks to other, younger women. Germaine Greer talked about this in terms of becoming “invisible,” though she found freedom in it to be more herself, less concerned with how she looked. One way or the other, it is an identity changer. Similarly, those who are injured, scared, or lose a limb or a breast must redefine themselves, reconfigure who they are in their own minds just as they have been quite literally reconfigured physically.

On the other hand, if you receive an organ transplant, you face an unusual assault to your sense of self. You are no longer the physical entity of earlier days, but now have a part of another person inside of you.

Yet, sometimes external changes do not alter identity very much. I have counseled more than one naturally beautiful adult woman who was the fat kid or the ugly kid while growing up, or the child who was criticized and belittled by parents. Too often the early labels seem to adhere to the person’s self concept as if they were tattooed on their flesh. Thus, it is not a surprise that cosmetic surgery does not always achieve the sense of self-worth that the patient is looking for.

Other life events can also transform one’s self-image. Men are notoriously vulnerable to a loss of identity when they retire or lose a job and are no longer the CEO, breadwinner, “doctor/lawyer/Indian chief” of their working days. I recall hearing it said that for a time after his retirement from baseball, the great New York Yankee outfielder Mickey Mantle had a recurring dream about trying to reenter Yankee Stadium by crawling under the fence that surrounded the ball field and getting stuck there! This is a stereotypical example of a man who was suffering from his loss of identity as an athlete.

So too, women who defined themselves exclusively in terms of their job as mothers frequently seem bereft and without a sense of self when the children leave the nest. In addition, women historically are more likely than men to define themselves by their partner, and achieve a sense of who they are by who their partner is. Being, for example, “the doctor’s wife” might have some value until the day that you are the doctor’s ex-wife. But, it must be said that men do this, too, and take some measure of self-definition and pride in having a talented or beautiful or charming wife.

Before closing, one must certainly comment on the notorious mid-life crisis of identity usually associated with men. Some men begin to get the sense of time passing them by and of not having accomplished all that they wished for in life. Jean Améry has said that a young person “is not only who he is, but also who he will be.” In other words, his self concept is informed by the expectations he has for his future. For most men in middle age, however, “who he will be” is not all that promising.

As the (usually unconscious) sense of mortality and “doors closing” begins to encroach, males have been known to act foolishly in order to hold on to or recapture their youth. A fast, new model car will suffice on occasion, but the stereotyped search for a new model “trophy” love is certainly something I’ve encountered in my clinical practice. It has been known to take the form of a rekindled high school or college romance, as well, for those men less concerned about external appearances and more about “the road not taken.”

However the crisis manifests itself, the crisis-driven actions inevitably fail to find the “Fountain of Youth” that is their real goal. Grudgingly or not, one must accept one’s mortality and the accompanying aging process or make some big and painful mistakes, costly to yourself and to others around you, as the price of trying to hold onto an identity whose time has passed. Dylan Thomas wrote, “do not go gentle into that good night,” but, gentle or not, go we will.

A few years beyond the mid-life crisis stage, most men and women find themselves thinking about different things than they were in their youth. Thoughts related to sex diminish and thoughts about aches and pains increase. In both cases, the mind is reminded by the body of one and not the other. The only difference is that the body steals upon you with sexual thoughts and feelings while young and, as these diminish, perversely tries to make up for it with sensations that hurt more! If you are like me, the first change you notice is that you actually have knees. Now, for the first time, you are aware of the work they do, and the knowledge is not consoling. These thoughts and sensations make their own contribution to who you are.

Finally, Richard Posner, the public intellectual, scholar, and judge has asked an interesting question about identity. What if, Posner wonders, we send a young man to prison for a serious crime, but he reforms himself and becomes an admirable human being during his lifetime confinement? Are we still punishing the same man 40 years after the wrong has been done? Certainly his name is the same and his history marks him as the same man. But his personality might have been altered by rehabilitation, reflection, experience, study, faith, or any or all of the aforementioned.

I hope that it is clear that identity is not so simple a thing. It is made up of one’s history and those histories of one’s forebears. At least partially, it is a function of a name and a place and a time, whether friendly to a person or not, particularly if society is prejudiced. Physical characteristics, too, play their part, as do what we think and what we do; and, of course, whether we have much self-awareness or, instead, see ourselves as different from who we really are.

And, it is a thing that can change — that must change — as we age and take on new roles in our families and in our community; and as changes occur not just in our mind’s eye, but in the mirror.

It is worth some thought, I think, that question with which I began.

Who are you?

The image is called Pentaeagondodekaeder by Lokilech, sourced from Wikimedia Commons.