On Being an Outsider

http://echostains.files.wordpress.com/2009/10/picasso-guernica3-reduce.jpg

In a world where being “in the majority” is so important, lots of people feel themselves to be outsiders in one way or another. Rather ironic. Perhaps it is due to the simple fact of being alone in our own skin, fully conscious only of what is going on in our own head.

It would seem that nearly everyone can claim some sort of “minority” status. Starting with the most recognized minorities, one thinks of ethnic and national groups as well as those defined by religion and sexual orientation. Then come the left-handers, the very short, the very tall, the old, the redheads, tambourine players, the celibate, people with cancer, those with learning disabilities, vegetarians, intellectuals — I could go on.

Still others find that their interests or opinions do not fit into the mainstream. Are you a “shape note” singer? That would make you a minority. Do you listen to opera? Same answer, especially if you don’t listen to much else. Are you a Republican who lives in a community of Democrats, or a Democrat who lives in Chicago’s politically conservative western suburbs? A sense of marginalization would pretty much be guaranteed.

Those who do best with their marginalization look for a like-minded group of people, perhaps moving to a more congenial community. If you are a Democrat living in DuPage County, Illinois, this might mean moving to Chicago or a suburb like Evanston.  Or, it could mean searching out others in DuPage County who are also Democrats.

If you are an opera-lover, on the other hand, moving to a different suburb is not likely to put you into immediate contact with tons of similarly inclined fans of Mozart, Rossini, and Wagner. But, attending the opera, taking courses on that subject, and participating in opera “newsgroups” on the internet might move you in the direction of more familiarity with those who share your passion. Moreover, if you are persuasive, you can try to capture acquaintances with your own enthusiasm, exposing them to some of the music you like. Conversions do happen.

"Fugue" by Kandinsky, 1914

“Fugue” by Kandinsky, 1914

The experience of being marginalized usually doesn’t feel good. Human nature appears to include an inborn desire to affiliate, to feel a part of something bigger than we are — “to belong” to a group that accepts us. When that does not happen we tend to feel shut down and shut out, watching the parade of life pass us by at a distance without even a nod or a wave in our direction. As Vincent Van Gogh wrote to his brother Theo in 1880:

Many a man has a bonfire in his heart and nobody comes to warm himself at it. The passers-by notice only a little smoke from the chimney, and go their way…

Self-portrait, Van Gogh, 1887

Self-portrait, Van Gogh, 1887

In a world where acceptance seems to require rooting passionately for the home sports team, listening to whatever music is at the top of the charts, wearing clothes that are thought to be fashionable, spending lots of time mindlessly surfing the net, and keeping up with popular movies and TV shows, a disinterest in such topics and activities can make it harder to connect with others and feel a part of things.

If TV “events” turn you off and if shopping isn’t the most exciting part of your life, perhaps you are more interesting than most. It takes at least some strength of character to unashamedly proclaim a set of proclivities, beliefs, or hobbies at odds with the masses.

To my way of thinking, the most captivating people are those who have novel ideas or a different slant on life, the men and women from whom one can learn something new. For example, great artists, composers, and writers are, by definition, different. Who else but Pablo Picasso could have painted Guernica (the top image), his anti-war response to the bombing of the Basque town, Guernica, during the Spanish Civil War in 1937?

Great painters, sculptors, composers, and authors see the world in a unique and enlightening, often revelatory way that tends to marginalize them, set them apart from the rest of us. Others cannot imagine the world as those masters do — see it through the lens of their special perception and transformational talent — however much they might admire their artistic product. Creative geniuses are not simply “Joe and Jane Six-Pack,” who are neither very individual or exciting, even though they might be good and decent people.

Perhaps those brave souls, the great creative minds of history, can serve as a guide to making the most of whatever sets us at distance from our fellow-man. Have courage. Are there people out there who would be excited to know what you think and how you feel, even if you are not Picasso or Shakespeare or Beethoven? You cannot find out by hiding your uniqueness behind a rock.

The anonymity of fitting in with the masses may be comfortable, but it doesn’t contribute much to the world; or, quite frankly, to an interesting life.

Marginalized? It could say some good things about you.

Marginalized?

Perhaps you needn’t be.

Parenting: When Love is Not Enough

madame roulin with her baby marcelle by vincent van gogh

Well meaning parents don’t always do well.

Or, to put it more bluntly, you can mess up your children without really trying.

Take the following example: two caring, well-educated, good people. They were in love with each other and loving toward their children.

One child was handsome, outgoing, and had a sunny disposition. Other children and adults were drawn to him. He awoke every morning with a smile on his face and brought cheer to those around him. Although not a great student, this boy was certainly bright enough; he made his way more than adequately in the world of friendship, study, and eventually, work.

His brother, however, did not have it so easy. To start, his body was ungainly. Even as a kid, he lumbered and lurched in locomotion. His cumbersome, block-like (not overweight) form caused him to stand out. Because of  a lack of refined adroitness in matters of balance and dexterity, he was always the last boy picked in the choosing of teams on the playground and in the gym class.

To the good, he was astonishingly bright and intellectually curious, but this only fueled the separateness he felt, to which his graceless body also contributed. Outgoing though he was, peers tended to shun and ridicule him. Social skills did not come instinctively and this young boy’s efforts at outreach neglected the usual questions that facilitate social contact: queries like “How are you?” or “What did you do over the weekend?”

Monologues rather than conversations were the result, further emphasizing this kid’s peculiarity and securing his status as an outsider.

His parents were at a loss. Certainly, they treated their dear son with kindness and affection, and applauded his prodigious intellect and curiosity about the world. But, when they saw his unhappiness and discovered that peers marginalized and ridiculed him, each of the parents tried to put a good face on things. While they defended him when they actually witnessed the cruelty he received, the boy’s hurt was not discussed very much at home. The parents minimized or ignored his pain, believing it best to encourage him to believe that things would soon get better and telling him not to let the ill-treatment of the other children bother him.

Soon enough, this child tended to his wounds by himself, confiding little in his parents, as if he instinctively realized that they would not or could not offer him any response that would feel good. Those times late at night, often just before bed, when a child is most vulnerable and open to spill his pain, passed without the flow of consolation. Thus, like many children (especially boys) who find themselves feeling empty and alone, deadening his emotions was preferable to exposing his heart to further injury.

To be fair, mom and dad figured that their boy would come to them if he needed or wanted to talk, and read his attempts to kill his emotions as a lack of need for the solace that can be achieved by having a shoulder to cry on. Indeed, they thought that he would be angered by any attempt to invade his privacy and bring up uncomfortable topics.

Nor did the elders provide guidance in how to be more reciprocal with people or give him direction in how to create conversations rather than monologues. They never pointed out that it was important to show interest in what others were doing or saying, despite the fact that both of them routinely displayed this with their children and in their own social lives. Instead, the parents reasoned that their son was already feeling hurt and rejected; and they feared that they might injure him further by telling him that his conversational style could be improved.

By the time of his adulthood, our subject had become what one might expect based on his early life. Surpassingly bright, he went to an elite college and had a coterie of those who admired his intellect and creativity, but no real friends. The pain of rejection had long since been pushed down deep inside, to the point that he might not have recognized the need or value of “closeness.” He was as out of touch with the emotional side of his own life as he was with the feelings of his conversational partners. Our young man seemed to have little need to find out about what was going on “inside.” Nor did he understand that his failure to ask questions to peers could be seen as arrogance, indifference, or peculiarity.

Still, our youthful gentleman led an interesting life because he sought out intellectual stimulation and threw himself into numerous activities within the world of the sciences and the arts. But, it remained a solitary existence, even if it was no longer clear to what extent he felt marginalized, so cut-off did he seem from the matters that connect head and heart.

His parents still tried to put a good face on their son’s way of living, as much as they knew about it, since they continued to be hesitant to ask him sensitive questions. But deep down they wondered whether he could possibly have any close friends (not to mention lovers) given his way of talking to people. Even now they felt that it was too late to bring up things that might cause him pain or trigger his anger at them for prying into his life.

Instead, the parents would occasionally comment to friends about their unusual son, make good-natured jokes about him, and simultaneously take enormous pride in his considerable intellectual and vocational success in the very stimulating, if strangely disconnected life he had fashioned for himself.

In defense of the elders, it should first be said that they could have done much worse. Their son didn’t do drugs, steal cars, embezzle money, or trip old people crossing the street. They parented him instinctively, as most of us do with our children. They certainly did not want to hurt him but, in their tiptoeing around his emotional pain, they failed to recognize opportunities to provide needed consolation and guidance concerning the social skill he lacked.

One can imagine that things could have been different. Had the parents been comforting and validating of his early humiliations rather than choosing to minimize them, perhaps he would have felt less isolated and not cordoned off his feelings even from himself. Had mom and dad gently guided him in how to converse, he might have had more social success and seemed less odd because of his penchant to prattle on about himself. If the parents encouraged their child to salve his own and others’ unhappiness by first providing that soothing themselves, maybe intimate relationships would have flourished.

It is impossible to know for sure. Child-rearing isn’t like a laboratory experiment, with an experimental and a control group. The “what if” questions are never answered with certainty. Sometimes nature has its way, no matter a guardian’s best and most understanding efforts at nurture.

Raising children isn’t easy. If you are lucky, you have a child like these parents’ first born, who responded well to the instinctive default parenting style of mom and dad.

But, for those of you who have more than one child, it quickly should become clear that they do not come out of the womb as identical sprouts, each needing just the same amount of sun, temperature, water, and nutrition. No horticulturist would treat a tropical plant in the same way that we would care for one that can only flourish in a more temperate climate.

And yet, even today, parents too often believe that “one size parenting” fits all children, and that it is the child’s job to adapt to the parents’ approach to upbringing rather than the other way around.

Put another way, you can be a good parent to one child and a less-than-good parent for another, simply by taking the identical approach to each of them.

The rule is simple: be the parent your child needs you to be.

Search yourself. Ask what your offspring requires. What will work best for this particular little human being?

Then, if you discover that the required approach to child-rearing doesn’t come easily to you, learn and stretch yourself.

You are responsible for a human life.

No job in the world is as important.

The above image is Vincent van Gogh’s Mother Roulin With Her Baby.

Darkon: What Role-Playing Games Tell Us About Real Life

It is easy to dismiss people who play role-playing games.

Geeks, losers, nerds, they’ve probably been called all these things and more. As William Shatner said on Saturday Night Live to the costumed attendees at a Star Trek Convention, “Get a Life.”

But if you watch the 2006 award-winning feature-length documentary Darkon, you just might get a different idea.

Darkon is “live-action role-playing game” or LARP. That is, real people create and dress-up as characters in a quasi-medieval world. They also fashion back-stories of the origins of these alter-egos that don’t sound much different from religious and biblical legends. Perhaps Moses was found in the bulrushes by an Egyptian princess, but you can be sure that Darkon players have backgrounds no less imaginative.

The Darkon gamers affiliate with other like-minded souls within the game, inventing national groups who strategize about how to enlarge their country’s domain. In order to achieve this, some combination of negotiation and combat between armies is required. The movie Darkon shows just such activities as they are played out by the “Darkon Gaming Club” in Baltimore.

Both men and women, usually in their 20s and 30s, enact a stylized form of combat involving “weapons.” Those instruments of war must be made according to guidelines designed to insure the safety of the soldiers, but the rules permit imaginary “injury” to be inflicted and one side or the other to triumph.

Enormous amounts of energy and time go into the realization of this fantasy world. Public parks, forest preserves, and school grounds are claimed as the battle-ground upon which occur many of the negotiations and all of the wars.

One player, a stay-at-home dad named Skip, doubtless speaks for a good many of the Darkon enthusiasts, when he talks about feeling “…born out of time… I feel like I have some great destiny and I have just to find it.” Clearly, Skip looks for that destiny, in part, within the game. You may think that such people are troubled as you read this on the computer screen, but Skip comes across as an earnest, intelligent, thoughtful, and principled man within the film itself.

The central figures of the documentary include a business executive in the real world who leads the most successful and largest group of Darkonians, a former stripper who is a single working mother, a college student who works part-time as a barista, a buyer in a fabric store, an assembly line worker, and many individuals who find their real lives boring and anonymous. They make no mark and live lives outside of the game that recall Thoreau’s comment on “quiet desperation.”

For some, including the most successful player within and outside the game, this role-playing world appears to serve a therapeutic function: “Playing (my character) helped me become the man I wanted to be in real life.” Opportunities for leadership, negotiation, and political as well as combat strategy transferred to the streets, offices, and board rooms of everyday existence, building his self-confidence and changing him even when the costume came off.

Meanwhile, others struggle with marginalization both within and without the game, but live in the hope of, quite literally, “reinventing” their characters and taking a more commanding and successful role. Some recognize the need to develop social skills in order to have real-life success. But, one suspects, that others not featured in the movie get caught up in the escapism that any such exercise might provide. They never grow out of the game.

As I watched this documentary I couldn’t help but think of the changes that industrialization and urbanization brought to workers during the period known as “The Industrial Revolution.” People went from being independent solo-practitioners working for themselves as tailors, blacksmiths, farmers, and weavers, to employees of others in larger and larger enterprises. The phrase used to describe what they became was “wages slaves,” clearly no longer free and independent.

Perhaps then, the Darkonians are only looking for what most of humanity has lost in a world of big machines, buildings, computers, and cities: some sense of individuality and uniqueness.

Or, like the ancient Greeks of Homer’s day, maybe they seek honor and glory. Honor in that pre-literate day tended to come in the form of goods, precious metal, slaves, concubines, and the like; in other words, mostly material things or things that could be counted or displayed or used. Sort of like today, perhaps you are saying to yourself. In our world, honor is conferred by status and very similar material things – the size of your house, the amount of money in your bank account, a trophy spouse, the car or cars you drive, a gorgeous vacation home, etc.

Glory (the Greek word kleos) was another matter. What might glory have consisted of in a world in which the idea of heaven had not yet been invented? It took the form of a reputation or fame that continued beyond death. And, since there was no written word, you and your accomplishments had to be sufficiently great to generate discussion, song, and story once you were gone. This was usually achieved by being a great hero or warrior. In war, then, one could hope to grasp both of these things: the honor that came with sacking cities and accumulating wealth, slaves, and sexual partners; and the glory of a reputation for fearlessness, strength, and tenacity that would transcend your death.

In other words, a lot like what the Darkon players hope for inside and outside the universe of the game.

Earnest Becker, the sociologist and Pulitzer Prize winning author of The Denial of Death (a book esteemed by Bill Clinton, by the way) talked about each man’s hero-project: the attempt to distinguish himself from other men. It is an effort that Becker thought was motivated by our fear of death and a desire for a kind of symbolic immortality via achievement. Or, perhaps, a self-delusion made possible through accomplishing important feats, thus allowing oneself to deny the inevitable demise of all living things, including one’s own end.

One Darkonian states that the game is “…like watching TV, but you are the hero. If you could watch Brad Pitt or be Brad Pitt, which would you rather do?”

But, there is also darkness here, as another perceives it, “There is a certain desperation to life. It’s all terminal — we are going to die. Maybe fantasy and religion and all those things are (like Darkon), if not crutches, vehicles to get you from birth to death.”

Sometimes a game is more than a game.

The above image is a scene from Darkon.