One Holiday, Two Americas: Memorial Day Thoughts

Some of our fathers and brothers, even our sisters and aunts, served in wartime. Some serve now. Perhaps you too.

Today is the day we honor the fallen in all the many conflicts of this, our country.

Can two Americas fit into a holiday designed for one?

Thus do the two Americas array themselves: those for whom service is a calling and those for whom it is an economic necessity; those powerful and those without prospects; those respected and those afraid; those with fat wallets and those with empty purses; the few who are part of our volunteer army and the majority who choose not to be.

When my father did his duty in World War II, walking the Champs-Élysées on the first Bastille Day after the liberation of Paris, there was such a thing as military conscription: able bodied young men were required to participate. In post-war Germany, as part of the occupying Allied forces, he related the following in an October 19, 1945 letter to my mother:

We have two colored boys in our convoy who were carrying our postal equipment. When we went to supper … the Sargent who ran the mess hall made them eat in a separate room. The colored boys were fighting mad for which I can blame them little. I complained about this treatment to the mess Sargent, who said that the First Sargent made the rule. I went to the latter and told him off plenty (my dad was a Staff Sargent). His answer was that I didn’t have to eat in the mess hall either if I didn’t like the rules.

So this is for what we fight. I finally talked to the colored boys and pacified them somewhat.

Some of us thought we were beyond the racial animus of a time 70 years past. Not just the discrimination, but the idea of discrimination. Still, no matter our domestic troubles, we must honor the fallen. My father, who served but did not die in service, would be troubled at our regression; yet he would honor the fallen, as we all should, amid the burgers and bratwurst and beer we inhale today. In this, at least, we can still be one country, even if the ritual unites us only for a few hours.

I wrote some of this seven years ago. Other parts are new:

If you are unhappy about the polarization of our society, think about the differences institutionalized by the volunteer army’s creation. However much good was achieved by the elimination of conscription, surely the absence of shared sacrifice contributes to the ease with which we oppose our fellow-citizens.

No longer does the USA pull together in the way possible during World War II, “the Good War.” In part, “the Good War” was good because enough people believed in the values for which the USA fought, knowing their children, husbands, and brothers would defend those same values with their lives; and it was good because those at home (regardless of class) shared in the rationing of goods, the terror of having loved ones in harm’s way, the heartache of their absence, and a preoccupation with the daily progress of the conflict.

The soldiers shared something more, and more widely than the smaller fighting force of today. Men of different religions, regional accents, political opinions, and ethnicities depended on each other for their survival and discovered the “other” could be depended on, laughed at the same jokes, and partook of the common fear and dedication all brought to the war effort. Even though military segregation deprived brave blacks and Japanese Americans of the opportunity for such camaraderie except with men of the same color, the nation benefited from the portion permitted. The soldiers benefited by the love and mutual reliance of those in the same foxhole. Our fathers and grandfathers were woven together in a way we are not today.

These thoughts occurred to me as I listened (on CD) to the book Final Salute by Pulitzer Prize winning author Jim Sheeler. The volume is about the officers who inform families they have lost a loved one; and of the families who suffer the unspeakable pain of the death of a son, a husband, a wife, a brother, or a sister; a dad or a mom.

Several families become your acquaintances in this narrative, as well as the warriors — the Marines — who died serving our country. And you will get to know Major Steve Beck, a Marine who delivers a message nearly as shattering as the projectile that killed their loved one.

Major Beck and the Marines live by the creed of leaving no comrade behind. Consistent with this value, Major Beck leaves no family behind, providing comfort and support long after the knock on the door that changes everything, creating a “before and after” without end.

I wish I had the words to convey what is in this book. I don’t. I only will say it is plainly written, eloquent in its simplicity, aching in its beauty, profound in its impact. It does not make melodrama of what is already poignant enough. Rest assured you will contemplate war, any war, differently after reading Final Salute; unless, of course, you are a member of the “other America,” the one fighting the wars and sending its loved ones into conflict. If you belong to the bereft group within this group, then there is nothing here you do not already know at a level too deep for words.

To those who have lost just such a one as the young men portrayed in Final Salute, I can only give my condolences to you and your kin.

We — those of us in the non-fighting America, those of us for whom the wars in Afghanistan and Iraq are abstractions — perhaps remain too comfortable, detached from something of desperate importance: the duty done far from home in our stead by the children of other people. And removed and distant from how the “best and brightest” of their families risk and sometimes give up everything they hold dear.

For such families, the human cost never fully goes away, for there is no inoculation against the plague of war, nor any cure.

They are out there, these inhabitants of “the other America.”

We walk past them unaware …

Once a year we give their departed a day of remembrance, if that’s what you call taking an extra day off from work, singing the National Anthem, looking at the maimed soldiers standing at attention, and then forgetting why we sang before our bottoms touch the seats. The words “play ball,” don’t quite capture a sentiment of honor or atonement, do they?

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All the images above are sourced from Wikimedia Commons. 1. “Vice Admiral Scott Swift, Director of Navy Staff holds Savannah Wriglesworth of Bowie, Maryland during a group photo with families of the Tragedy Assistance Program for Survivors (TAPS) before taking a tour at the Pentagon May 23, 2014. The children of fallen U.S. service members toured the Pentagon seeing different exhibitions from the Navy, Army, Marine Corps and Air Force including Klinger the horse. Klinger has served at more than 5,000 military funerals and has a book published about him called “Klinger: A Story of Honor and Hope” and is often a warm and comforting face for the children to see when making their final good-byes.” (Department of Defense photo by Erin A. Kirk-Cuomo). 2. and 3. The work of Allstrak. 4. “Arizona Diamondbacks first baseman Paul Goldschmidt looks on during the singing of the National Anthem before his squad’s Memorial Day Major League Baseball matchup against the San Diego Padres at Chase Field in Phoenix, May 26, 2014. U.S. Marine Corps Sgt. Brandon Kidd, right, was on hand to represent the United States Marine Corps during pre-game dedications.” (U.S. Marine Corps photo by Sgt. Tyler J. Bolken).

What a Woman Wants of Love

I would be presumptuous to tell you what a woman wants from a man (or any romantic partner) in the way of love. But I told you my intentions in the title and I do not mean to disappoint. Moreover, the description of such love will come from another man — just as doubtful a source as I.

I have it on good authority that this other man, Wendell Berry, should be trusted. High praise of Mr. Berry’s insight comes from a wise and lovely lady named Priscilla, who told me (and several of her friends and classmates) Berry got it right. The class includes a number of the Ms., Miss, and Mrs. persuasion, including the instructor. There was no dissenting opinion from even one of them.

Berry’s conception of amour comes from his 1971 poem, The Country of Marriage. As the poet says, “love is always too much.” And later, “We enter, willing to die, into the commonwealth of its joy.” I find the last three stanzas especially touching.

I’ll be interested to hear what you think.

If your partner doesn’t understand what you want, you can always hand him the poem. If, on the other hand, you are pursuing a female and wish to know her heart of hearts, the verse offers you a lesson in love:

The Country of Marriage

I.

I dream of you walking at night along the streams
of the country of my birth, warm blooms and the nightsongs
of birds opening around you as you walk.
You are holding in your body the dark seed of my sleep.

II.

This comes after silence. Was it something I said
that bound me to you, some mere promise
or, worse, the fear of loneliness and death?
A man lost in the woods in the dark, I stood
still and said nothing. And then there rose in me,
like the earth’s empowering brew rising
in root and branch, the words of a dream of you
I did not know I had dreamed. I was a wanderer
who feels the solace of his native land
under his feet again and moving in his blood.
I went on, blind and faithful. Where I stepped
my track was there to steady me. It was no abyss
that lay before me, but only the level ground.

III.

Sometimes our life reminds me
of a forest in which there is a graceful clearing
and in that opening a house,
an orchard and garden,
comfortable shades, and flowers
red and yellow in the sun, a pattern
made in the light for the light to return to.
The forest is mostly dark, its ways
to be made anew day after day, the dark
richer than the light and more blessed,
provided we stay brave
enough to keep on going in.

IV.

How many times have I come to you out of my head
with joy, if ever a man was,
for to approach you I have given up the light
and all directions. I come to you
lost, wholly trusting as a man who goes
into the forest unarmed. It is as though I descend
slowly earthward out of the air. I rest in peace
in you, when I arrive at last.

V.

Our bond is no little economy based on the exchange
of my love and work for yours, so much for so much
of an expendable fund. We don’t know what its limits are–
that puts us in the dark. We are more together
than we know, how else could we keep on discovering
we are more together than we thought?
You are the known way leading always to the unknown,
and you are the known place to which the unknown is always
leading me back. More blessed in you than I know,
I possess nothing worthy to give you, nothing
not belittled by my saying that I possess it.
Even an hour of love is a moral predicament, a blessing
a man may be hard up to be worthy of. He can only
accept it, as a plant accepts from all the bounty of the light
enough to live, and then accepts the dark,
passing unencumbered back to the earth, as I
have fallen tine and again from the great strength
of my desire, helpless, into your arms.

VI.

What I am learning to give you is my death
to set you free of me, and me from myself
into the dark and the new light. Like the water
of a deep stream, love is always too much. We
did not make it. Though we drink till we burst
we cannot have it all, or want it all.
In its abundance it survives our thirst.
In the evening we come down to the shore
to drink our fill, and sleep, while it
flows through the regions of the dark.
It does not hold us, except we keep returning
to its rich waters thirsty. We enter,
willing to die, into the commonwealth of its joy.

VII.

I give you what is unbounded, passing from dark to dark,
containing darkness: a night of rain, an early morning.
I give you the life I have let live for the love of you:
a clump of orange-blooming weeds beside the road,
the young orchard waiting in the snow, our own life
that we have planted in the ground, as I
have planted mine in you. I give you my love for all
beautiful and honest women that you gather to yourself
again and again, and satisfy–and this poem,
no more mine than any man’s who has loved a woman.

Wendell Berry, from “The Country of Marriage: Poems”

All the images are sourced from Wikimedia Commons, beginning with The Kiss by Gustav Klimt. A Kiss between Bride and Groom is the work of Bleiglass, followed by Hands Free of Takuma Kimura. Finally comes The Kiss by Bernardien Sternheim.

Dying to be Seen, but Afraid to be Seen: Where Insecurity and Invisibility Meet

The quiet ones envy those who are sociable. Not always, but often. They wish for an ease of contact which is not theirs. Too many hunger for understanding, for a kind person to recognize them, accept them; even love them. They are dying to be seen, but afraid to be seen.

Anonymity is the preferred choice. Many escape to the shadows, at least if they can.

Don’t raise your hand, says Mr. Anxiety, even if you have the right answer. Too risky. Your voice might quiver, your hand might shake, and there could be a follow-up question which leaves you speechless.

The insecure ones make a trade. They take the apparent safety of invisibility at the price of being ignored, misunderstood, or quickly forgotten. They leave no mark on the world, hoping to avoid criticism and ostracism. Better to take yourself out of the competition for attention than be told to go away. Of course, you wind up alone, but you persuade yourself this is better than rejection.

Instead of belittlement you opt for the shrubbery, hiding behind the bushes. True, sometimes you get wet when the lawn sprinklers go on. Occasionally a kid throws a ball that hits you or a dog sprays you, but you get used to it.

Group conversations are the worst. When might I jump in? My face will flush. They’ll think I’m an idiot, too boring. I’ll just sit tight or stand and nurse my drink.

Who would have thought a man could dive into his glass, hide behind its opacity? Or imbibe enough to shed his disguise and turn into a more outgoing, confident version of himself?

Once you sober up, you will still be like a person with a fire inside who is afraid of venting a smoke signal. The result? You are consumed from within and your glorious flame is unnoticed.

Mark Twain said, “The man who does not read has no advantage over the man who cannot read.” Change two words and the sentence becomes: the man who does not speak has no advantage over the man who cannot speak. Will you be thought of as the latter? Are you already?

Or have you become someone who is told what he thinks, afraid of challenging a rude or wrong idea? You will be outdone by those with half your intellect. They, the half-brained, are kings and queens in the land of the mute.

You remain unknown, even if others think they’ve sized you up. Many believe you are stuck-up because you avoid them. Some say you are kind, several imagine you lack “personality,” others reckon you stupid, a few timid: an easy mark to be pushed around. Most strangers form no opinion. Not one of them will be completely right, know the whole package. You won’t even be seen in full by yourself.

Your attempt to vanish is exhausting. The task is like running a race, trying to escape the eyes of others, but distancing yourself from yourself. If all escape routes close you will grab your throat and squeeze, stifle your emotions and ideas so as not to offend anyone.

Do you wish asphyxiation by your own hands?

I hear you gagging.

Do I know you? Not completely. But I’ve seen you and I might have been you a long time ago.

It wasn’t fun.

It’s not as if everyone else is completely visible. No one is. One might display an eyebrow or an ankle, even a heart: that most precious portion of ourselves when offered as a present. Such a one is trying, practicing, gathering momentum.

A gradual path toward self revelation can grow on you.

In the end, however, if you are seen but unseen, dying to be seen but afraid to be seen, you should realize something: you cannot be both.

You must choose or remain in torment.

The therapist’s door is waiting, but even there you can try to be invisible.

A pity.

Counselors, you understand, don’t do their best work blindfolded.

The top image is a photo of the cover of The Invisible Man by H.G. Wells. The cover was illustrated by Ludvik Strimpl and the photo taken by Gallica/Sudoc. The image was sourced from Wikimedia Commons.

Becoming a Traitor to Yourself

All my life I had been looking for something, and everywhere I turned someone tried to tell me what it was. I accepted their answers too, though they were often in contradiction and even self-contradictory. I was naive. I was looking for myself and asking everyone except myself questions which I, and only I, could answer.

So begins Ralph Ellison’s Invisible Man. But these words apply to more of us than the black protagonist of his novel. A careful reader will recognize how many psychotherapy bloggers are quick to condemn themselves. They define themselves as terrible human beings, inconsiderate and selfish. They believe their resentments should neither be felt nor displayed. A “better” person would be kinder, forgiving, more generous. Their unhappiness is taken as a commentary on their value, a failing grade in the class of life.

You will see them marching voluntarily to the world’s slag heap of unnecessary and misshapen things, beyond repair or redemption. They say, in effect, “If you wish to find me you must dig deep in a landfill, where I belong.” I asked one, in light of her self-assignment to the discard pile of life, how then she might describe herself if she were a spouse abuser or terrorist. These are far worse human behaviors than she’d reported and, it seemed to me, her self-condemnation went too far.

Here was a lady who sprinted to the local lumber yard, bought some wood, constructed a cross, and nailed herself to her destiny. To my mind, the bowels of hell (if such exist) are occupied by a group to which she doesn’t belong. They’d laugh if she requested admission.

I might have said, “Get off the cross, we need the wood.”

We can, in just this type of self-punishment, turn traitor to ourselves. I’m not suggesting anyone is perfect. But few of us are so unworthy that we must become our own dartboard. We bleed enough at the hands of fate without offering ourselves as a pin cushion. Some of us have been assigned a shape not our own. Life seems inauthentic. We must reform ourselves, shed the shape assigned, and work to improve it.

First, however, we must buy a new flashlight, stand in a new place, and look with new eyes.

Ellison’s fictional young man sought answers about a path forward. He wished to know who he was. The earnest fellow thought it best to ask others wiser and older. No flashlights for him.

Asked or not, those others give us our first sense of self by what they say and do. Their kindness suggests we are worthy. If they blame us we might think we are not. If they offer false gods, we get a counterfeit sense of what life is or “should” be. We are in the dark.

Ellison’s protagonist tells us he was indoctrinated for 20 years and needed another 20 to achieve self-awareness: to throw-off the self-destructive beliefs he had about himself and the nature of the world. Where can you go to find out whether you are as awful as you think, assuming you don’t like yourself?

Some begin by questioning the most basic assumptions they have. These include whether authority figures are usually right. Which authority figures?

All of them: your parents, government officials, best friends, clergy, and spouse are not exempt. The ones in power and the ones who want it. The pretenders and their defenders. The crowd and the solitary man. The critics and the critics’ critics, the know-nothings and the do-nothings, the show horses and the work horses. Include your therapist, too.

Even your God.

What do I mean? If you have been shamed and demeaned or neglected, especially in your early life, such treatment came from those on this list. If you accept their judgment then you internalize the guilty verdict on your character and talent. You will judge yourself as they have, carrying their voice, now your own, inside you. Indeed, if even a house of God is the source of repeated reminders of the indelible blackness in your heart, a religious book can become a cudgel to beat you with.

Worse still, believing them, you will continue to seek their “wisdom” and approval; desiring a possible reconsideration of your character since their magnetic attraction remains powerful. Or, you may search for others like them, those who claim they are only doing this (injury to you) “for your own good;” in effect, redefining harm as “caring.”

Here is the first bit of “fake news” we receive in life, making us vulnerable to those who offer us — their sheep — a caring hand that will instead shear us of the goods we own and the belief in our own goodness. These “wrong choices” of association with “wrong” people depend on the magnetism they share with those who began our “wrong” indoctrination.

Their magic only disappears when you recognize who they really are; and, who you really are.

Some authority figures deserve to pass the test. Others do not, nor should you return to them. You may be scared to be without their shoddy shelter. The security you believe they offer, however, is an illusion. You can only get out and get away.

All my life I had been looking for something, and everywhere I turned someone tried to tell me what it was. I accepted their answers too, though they were often in contradiction and even self-contradictory. I was naive. I was looking for myself and asking everyone except myself questions which I, and only I, could answer.

The first painting is George Hooker’s The Subway (1950). The second is the work of Tetsya Ishida: The Servitude and Deforming of the Salary Man.

The Music of Catastrophe

If music means something important to us, our contact with a new person finds us trying to discover what musical loves we might share. Thus do friendship and romance begin.

In a world where isolated suffering comes easily, music, like some of the other arts, reveals we have much company in our emotional distress.

Songs add language to instrumental expression, making them more precise in meaning than purely instrumental music. Vocal composition is literally sung to words, but there is just as much of the human experience in the more abstract forms, even if a symphony is not so easily identified with the particular circumstance (say, a broken heart) described in lyrics.

Sound offers solace if a composition reaches the tender, injured place inside. Few pieces, however, deal with cataclysm and collapse. To my ears, one of those is the Symphony #4, the last such work of German composer Johannes Brahms.

Brahms was a life-long bachelor from Hamburg, who died in 1897. He achieved recognition early and much success afterwards. The major unhappiness of his life was his unfulfilled romantic attachment to Clara Schumann, 14 years his senior; the widow of the man who first recognized his genius, the composer Robert Schumann. Some believe their age difference, his virtual adoption by the couple, and the shadow of Brahms’s indebtedness to her late husband made the consummation of his ardor impossible. Brahms’s final symphony reveals he knew much about human calamity, whatever its source.

Lacking a description from the composer about what his symphony “meant” — if anything or nothing — we are left to make our response personal. Perhaps no language exists with which to “understand” Brahms’s Fourth and my use of catastrophe is misplaced, but I am not alone in the opinion.

That disaster, if there is one, occurs in the fourth and last section of the work, the concluding 10-minutes or so. There, too, you will hear a much commented upon “conversational” quality in Brahms, when the wind instruments “speak” to each other. David Hurwitz of Classics Today, finds “active rage and impassive grandeur” in the ending. Jerry Dubins wrote, in Fanfare magazine, of the “final rush to oblivion … on the symphony’s preordained appointment with disaster and annihilation” in “a score of gloom and doom.”

Why might one want to listen given this description?

To me and the many who rank the work one of the most perfect and moving in the entire classical repertoire, much poignant beauty accompanies the ride into the abyss; indeed, because of it. The reasons for listening are no different from those causing us to appreciate a sad song. In Brahms’s 40-minutes we become the composer, inhabit his intellectual and emotional journey, and are seized by towering grandeur; perhaps even  swept away, exhilarated by the suspense and power, and moved to tears. Some would say a great work of art, if masterfully performed, can change us.

Franz Kafka knew the power of all art forms and wrote about the potentially transformational impact of writing:

What we need are books that hit us like a most painful misfortune, like the death of someone we loved more than we love ourselves, that make us feel as though we had been banished to the woods, far from any human presence, like a suicide. A book must be like an ax to break the frozen sea within us.

Will you be changed?

You can find out in 40-minutes time.

The top photo is the work of Ville Miettinen. It is described as, “A crevasse (moulin) in the Langjökull glacier, Iceland. At the time it was perhaps three or four meters long, a meter wide and some 30-40 meters deep.” The second image is the 20-year-old Brahms in 1853. Both are sourced from Wikimedia Commons.

The Therapeutic Journey and Our Problematic Concern with Destinations

We are an impatient race. Tasks don’t get done fast enough, the wait in line is too long, the computer too slow. Our destination looms like a slave-driver of our own creation, craving full speed to the end of our journey and the imagined prize awaiting us there.

What are we missing?

Many of those in long-term therapy are ambivalent about the inevitable end of the journey. They correctly recognize that accomplishment of one’s therapeutic goals means the terminus of the walk through the mine field of the psyche, the regular sessions, and the severing of the therapeutic relationship.

The mine field traipse is the only one they hope to dispense with. Indeed, most would say removal of unexploded emotional bombs caused their enlistment in treatment in the first place. By contrast, the absence of session-bound, intimate time with the therapist is dreaded, like ejection from a cocoon.

The story is even more complex, however; both for those who fear the loss of their road-trip, therapist-guide/companion and those who believe the journey’s end will bring nirvana, the permanent release from all suffering.

Consider: more than a relationship is forged in treatment. There is a process of struggle, self-reflection, honesty, learning. Perhaps nothing before — nothing the patient has tried or accomplished — has been so hard, but so rewarding. Each step in each session is enriching or intense — alive — even if fraught with portent and overlaid with tears. The furniture in the office stays the same, but the mental furniture gets rearranged, replaced, knocked-over, tested, taken apart, and put together. All this is “process,” not product. All this is overlooked when clients reflect on their ambivalence about the end of counseling and loss of the therapist.

In part, the problem is our instinctive goal-directedness. Often, however, the target — whatever it might be — is not as special as anticipated. Heaven does not exist on earth. We get used to even a transformed life, no matter how worthy. We become accustomed to our new, higher cruising altitude of emotional stability. The background activities — the daily maintenance of clothes, body, and living surroundings — still must be done. As the Zen proverb goes, “After enlightenment, the laundry.”

Therapy becomes a road traveled-well only if we try to notice everything, absorb everything along the way. It is not like pursuing a diploma: trudging through courses in philosophy or calculus that are endured, not enjoyed. The treatment isn’t like having an ice cream cone in its pleasure, but absorbs our entire being as a fount of learning. The engagement is total, the preoccupation remains in mind even after the session ends, the effort is important, the risks great. You are reaching for the next handhold on the mountain. Yes, you are doing so to reach the top, but you will be on summit for just a few minutes, a static place no one can live. You soon must move below. Life is in the movement. What you took away was the experience, the incremental achievement of all the concentration and self-surpassing courage you could muster.

Cervantes’s Don Quixote reminds us, “The road is always better than the inn.”

The post-war circumstances of military veterans add to the discussion. None of them want to relive the horror. Yet, some will say it was the most intense experience of their lives. Moreover, the intensity is missed, if not what created it. Thus, the therapy journey brings not only pain, but something of value in its dedicated, focused, life-on-the-line process. Not a deadened, dull, inert state of being.

Elite athletes, similarly, don’t enjoy every moment of their competition. The combination of actions and emotions includes strain, focus, effort, and fear of failure, as well as elation. We tend to think of goals and the pleasure associated with their achievement without full recognition of the other experiences they live while in motion, in process, and in the moment. Yet this is what any journey worth taking entails.

If you are currently in long-term treatment and agree with my description of the journey’s value, you might say: “Well, then. Now I’m not just fearful of losing my therapist, but the journey, too!”

Fear not.

If the treatment has been successful, a wider world has gradually opened to you outside the counselor’s consulting room. Many journeys beckon, inward and outward, outside your comfort zone, where all journeys live: more and different friendships, travel, new vocations and hobbies, increased openness to art or music, spiritual awakenings, returning to school; and, too, “thoughts that do often lie too deep for tears.”*

You will embrace some of what once frightened you or found you closed off. Not all things, but some things. Even from the defacing hand of age, a man of thieving heart, will you wrest unexpected gifts.

You never become indestructible, but you can move along in life more confident in the ability to manage most of the hurts; accepting that, they too are a part of the human experience, the beautiful/terrible richness of life.

You will not become everything you could be. No one does. But you will be alive to the world.

You cannot ask for more.

* The last words of Wordsworth’s poem, Ode: Intimations of Immortality from Recollections of Early Childhood.

The top photo includes Remains of the Via Appia in Rome, ner Quarto Miglio, by Kleuske. The second image is called Roma, via Appia Antica: Arco di Druso e Porta San Sebastian by Lalupa. Both are sourced from Wikimedia Commons.

What Does Your Therapist Dream About?

Therapists tell you little about themselves, especially their dreams. Why would they? The woolly, wild world of the unconscious might suggest the counselor is a rapist, murderer, or thief.

Looking at him through the lens of the dream makes the treatment about the practitioner, not about the patient. It cripples the client’s ability to project his own long-standing issues onto this person: react to the counselor as if he were a father or mother identical to the real dad or mom.

A crucial part of classical psychodynamic treatment relies on the client playing-out his long-standing relationship problems and historically driven expectations of trauma or rejection within the session. The patient is unaware, at first, of the “mistaken identity” going on, where his reactions are more about his own past than the practitioner. If the therapist reveals too much about himself, he risks becoming the man of his chaotic dreams to the patient, not a benign, but blank canvas upon which his client throws the paint of his own internal life.

Dream interpretation is an art, not a science. Its value is difficult to demonstrate, though some therapists swear by it. Too many possible interpretations, no way to validate them. Yet they can be helpful. Certainly they may enlighten. Regardless, dreams are hard for the patient to resist discussing. An open therapist needs to take in all the uncensored data provided, the better to serve him.

Though I claim no specialty in dream interpretation, what I offer here is a partial explanation to those who wonder about the kinds of dreams therapists have.

The simple answer is, I doubt they are much different from those of people of similar upbringing, temperament, and overall life experience. I might add two exceptions:

  • Certain kinds of dreams are recognized as symptoms within the diagnostic framework developed by the American Psychiatric Association. For example, one possible symptom of Post Traumatic Stress Disorder is: “Recurrent distressing dreams in which the content and/or affect (emotion) of the dream are related to the traumatic event(s).”
  • Conventional wisdom tells us that high achievers have recurring dreams dealing with things like being late or unready for tests. Since people with advanced degrees prepared well for examinations (and took so many of them), the unconscious disquiet of discovering you are not ready or present for a test, a crucial appointment, or a presentation requires no leap of insight. Many of us were either driven to succeed, afraid of failure, or both.

Ah, but this discussion is rather impersonal, so I will offer an actual dream of one person I know well and present you with two interpretations. Moreover, I invite you to take the interpreter’s role yourself: be the therapist.

Whose dream shall I speak of?

My own.

Get ready. Prepare yourself for the unexpected nature of the story. The partially unclothed aspect, too.

I was sitting in the smallest room of my old office suite. Yes, the washroom. Some vulnerability here, don’t you think?

The door to the W/C led to the waiting room, the lobby of the office suite. I shared the workplace with other therapists. Unexpectedly, one of those counselors opens the door to the washroom. A man. He walks through a side entrance I hadn’t noticed and was never there before. I pushed him out and spoke with him soon after.

The extra door was installed without my knowledge, he informed me. Even though all the other counselors rented the space from me, they somehow did this unilaterally, without discussion with me, and with no warning.

Several of them were in a meeting which I joined. I talked to them. I spoke of the danger to our patients, our duty to protect, and our professional liability. Since our clients all used this facility, I stated this unlockable entrance would constitute malpractice. The head of the group argued back, though I can’t recall the details of her rejoinder. The assembly of counselors was mostly docile and unpersuaded by my logic. In the end I went off, saw my next patient, and did my job.

What should be made of this, if anything? Well, I can recall failed attempts at rational persuasion dating back to my childhood. Mom ran the roost, like the female leader of the other therapists. My mother was a tough cookie and dad worshipped her. No amount of logic or effort were enough to effect changes in the family dynamic. Should I leave the interpretation at that or try another tack?

Let’s visit recent events as possible triggers of the sleepytime return to my professional practice. I read two disturbing books in the days before the dream. As Dr. Michael Breus notes, some believe dreams are “a means by which the mind works through difficult, complicated, unsettling thoughts, emotions, and experiences, to achieve psychological and emotional balance.”

The Souls of Black Folk by W.E.B. Du Bois and The Revolt of the Masses by José Ortega y Gasset both carry profound messages about the dark side of humanity. The first deals with American slavery, the second with the growth of a naïve, destructive, anti-intellectual “mass man” who may destroy the pillars of Western civilization. Du Bois led me to watch Slavery by Another Name, a superb, but equally unsettling documentary on the color-line that existed in the South even after the emancipation of blacks. Their forced-labor and imprisonment by legal and extra-legal means was new to me.

I was powerfully affected, but not, I thought, to the point of emotional distress. Still, these books and the movie offered a larger vista on what happens when reason fails and men know only rights and not duties to something virtuous and greater than themselves.

One more feature of my dream was a lack of control. Being interrupted in the washroom by a stranger is profoundly threatening. One is literally caught “with his pants down,” though I felt more surprised and angry in the dream than in danger.

The books also might have amplified my personal concerns about the current state of Western democracy: another possible precipitant of the strange story. If this is so, then perhaps I should alter my life: dip a toe into the ocean of earthly woe, not bathe in it. Rather ironic, in light of what I did during my career, which on some days was a daily if not hourly immersion.

Other interpretations are possible, of course, but I hope you get the idea.

Your own analysis might tell you about both yourself and me. Do remember, that the therapist must remove himself from his issues when doing therapy, including his investigation of dreams. Freud was a notable exception who performed a self-analysis.

So, you now get to be the psychologist. Complicated, isn’t it? Give it your best shot.

The first image is called Think Different by Neotex555. It includes within it a statue plus a portion of Kandinsky’s Fugue, the entirety of which makes up the painting that follows. Finally comes Sean Foster’s Cloud Frenzy. All are sourced from Wikimedia Commons. For more about the function of dreams, you might want to visit a very fine post by Dr. Michael Breus.