On Human Inconsistency, Hypocrisy, and a Touch of Genius

We think of ourselves and others in simple words and categories: good/bad, outgoing/bashful, assertive/passive, and so forth. Friends are offered halos until we are sad or angry enough to be done with them, and then the devil’s pitchfork becomes a part of the vision we recreate.

Not always, but often.

We are not all one thing or another. Consistency is more self-delusion than a reality. A close inspection suggests carve-outs, areas of our life where we are perhaps better or worse than our “imagined self:” the way we like to think of ourselves or the way we can’t help but think of ourselves.

These are boxes and compartments of our unconscious making, to a degree. The parts we like are visible to our internal eye. More dubious sections live behind partitions.

Were the various zones fenced off by fixed lines with clear borders, we’d manage them with less trouble. The blurry, fuzzy, porous demarcations are scarier for us. We sense the leakage of our darker truths, harder to rationalize, harder to live with.

Life would be more fraught if we kept asking the question, “Who am I?” Then we would be near relatives of the Wicked Queen in Snow White , who asked instead, “Mirror, mirror, on the wall, who is the fairest of them all?” I’m told her therapist suggested she stick with the first pleasing answer and put the looking glass away.

All of us are hypocrites at times, but call others by the name. When was the last time someone told you, “Yes, I am a hypocrite. I said one thing and did another” — or “I believed one idea yesterday, but acted today as if I didn’t because, well, uh ... ”

Too often the changes are opportunistic, impulsive, or driven by fear. An admirable new direction requires the never-easy task of soul-searching, not a backflip.

—

Want a dramatic example of human inconsistency? If you are acquainted with Holocaust literature, you know some of the children of war criminals claim the apparent contradiction of having kind parents. Take Edda Göring, who died in December, 2018. She was Hermann Göring’s daughter, the man who headed the Third Reich’s Luftwaffe (air force), and a potential successor to Adolf Hitler.

Here is what Edda said about her dad:

I loved him very much, and it was obvious how much he loved me. My only memories of him are such loving ones. I cannot see him any other way.

Were this lady alone as an example of faith in a corrupt father, we might doubt the possibility. Again, people are self-contradictory. Perhaps Göring’s brutality stopped at the door of their home. He could have separated his villainous inhumanity from his private life.

Who among us, if well-treated by mom and dad, would believe he is the offspring of monsters?

Can anyone bear full self-awareness? Defenses, rationalizations, and mind-tricks must be acquired. Those drowning in self-criticism live in floundering guilt. They struggle to advance, to adapt, to be anything but transfixed by an accusatory finger before their face. The digit is theirs, at least by the time they are adults.

—

One of the hardest lessons in the social world is this: we must accept people whole — other than the abusers and unrepentant users — or become forever disappointed or resentful. Yes, humans can change, but it is easy to expect or demand too much.

Within our confusing and confused bipedal race, a handful of creatures display a genius of which inconsistency is an essential component. Their elements don’t appear to fit together, but the ensuing unpredictability itself produces fascination. When combined with an untroubled, occasional defiance of convention, their acquaintance causes diamantine delight.

They exist at the intersection of innocence and adventure, vulnerability and bravery. Four-way stops signs are not always observed in this spot. No wonder you wonder how they can survive at all.

Like Vincent van Gogh, you might call them intensifiers of experience and emotion, mimicking his search for a more yellow yellow, a more blue blue, a greener green. Life becomes like a canvass, filled without aid of paint or brush, textured as compared to the flatness many of us exhibit.

Such unparalleled spirits live to their fullest in moments both spontaneous and unselfconscious. Immersion in the present, however, comes at a cost. The world is encountered more through intuition and feeling than among those who lead with thought. Mindfulness of possible danger is given up in the embrace of the now.

Such precious artists of living should take care not to die for their art. Each one is the sole representative of an endangered species, missing even in Borges’s Book of Imaginary Beings.

Few understand them. Perhaps no one can, including the specimen himself. Indeed, if one greets you, you’ll blink before letting their light in again, the better to make sure no hallucination stands at a handshake’s distance.

Don’t mention the meeting to anyone, by the way. Like a unicorn or UFO sighting, no one will believe your report. Keep quiet and consider yourself lucky for the encounter.

If you are looking for consistency in passersby, here’s some advice. Stop looking. It isn’t there. Watch the sky instead for flying things or search the ocean for the life that swims. No complexity will be found in our winged, finned, and four-legged neighbors. You can live with them unperturbed.

Back here in the peopled world, little chance exists of finding individuals who are wholly integrated, top to bottom.

But the inconsistencies make life interesting, don’t they? Here’s to our contradictions. Let’s join van Gogh’s Drinkers, just above; the baby, too.

Salute!

——-

The second and third paintings are by van Gogh: Madame Roulin Rocking the Cradle and The Bedroom. The next image is Picasso’s Man with a Pipe. Finally, three more from van Gogh: The Poet’s Garden, The Drinkers, and Red Vineyards at Arles. All of these come from the Art Institute of Chicago with the exception of the last, which derives from Wikiart.org.