Escaping from Ourselves: Music, Crowds, and Other Ways Out

April 21 was Record Store Day, an international event celebrating the hunt for tunes you can hold in your hands. By coincidence, this classical music lover found himself listening to a rock concert at a stop where I hoped to shop, not bop. I’d never attended anything similar, but learned something you won’t in a Mozart-friendly venue: the pain people suffer to escape themselves. Or simply to have a good time.

Only a matter of feet from the amplified band, everyone was moving to the music, ear drums be damned by snares and cymbals. What was punishing to me in sheer volume got other people out of themselves. Big music doing a big job. The point was not to use thought, but to submit to the mood-altering bombardment and escape reasoned analysis and reflection.

We do need to get away from reality. Intensity of sound was the key. The straight-jacket of our brain gets loosened and our suffering is covered-over, swamped by an aural tsunami.

Music isn’t the only way. Take the extremity of self-mutilation: cutting your body, as some do, not for decoration, but replacement of emotional pain by the application of physical pain; like a new coat of paint.

Sports venues also use loudness to launch escape from self. Conversation is difficult. Even attention to the game on the field. “Play ball?” You’ll see it, but won’t hear the infield chatter or bat striking ball. No foreground of sound and background of silence, like visual art, but all foreground all the time.

Beyond a flight from acute emotional distress, why might we want to depart reality? Life can be rather too much, don’t you think? The vocational rat race, mortality, and inevitable comparisons and competitions come to mind. No wonder we drink, smoke funny cigarettes, and overeat.

The human being is a clever creature, tricking himself to fly without even knowing what he is doing or why.

Those who dissociate in the midst of a traumatic event describe their transformation as a “going away:” separating a part of themselves from the portion encountering the unsparing awfulness. By breaking into segments, another facet of the personality experiences the grotesquery in a muted fashion or not at all.

Nearly everyone sometimes compartmentalizes his experience. We take in what distress can be managed and screen out the rest, without the extreme loss of awareness in dissociation. “I’ll think about this later,” so we tell ourselves, and a door in the brain closes.

Crowds can help you get out of yourself. Not just at concerts, but political rallies. Size matters. We give up thinking for nonbeing, joining, submerging. At the crowd’s worst, rules disappear, exchanged for bad faith. Humanity and civilization are discarded. We return to more primal roots. The unity of the group is all. You are not solo, not separate, but swept into in a mob of homogeneous excitation. No wonder the mass goes crazy and the individuals lose themselves, surrendering their agency to the power of the collective.

Talented populist orators evoke a frenzy, a single-mindedness they manipulate with our complicity. Why? Because we desire this loss of responsibility and control; the mental weight of making a decision. Once unburdened, anything is possible with someone else’s permission and direction. Think Lord of the Flies and what happens to Piggy.

Sensation of a transcendent kind is found in sex. Sexual contact allows us to escape of our bodies in the body of another. We are swept away in the stretching, sweating, touching, playing, craving, and holding. Our surrender to flooding hormones and synchronous beating hearts yields ecstasy: escape velocity that returns us to our unthinking creatureliness, our animality.

But there is more. When wills and wants and sensibilities align we exchange essences. After, we take some portion of the other’s otherness with us. Each party is completed. We are less ourselves and alone. In the consummation we escape our own boundaries.

Dancing and religious rites can create self-abandonment. Some worshipful gatherings sanctify and applaud those who “speak in tongues.” They become unmoored, taken over by a language that is not a language.

Quieter ways to lose yourself exist, but they lack the drama and require concentration; say, on a book you are reading or by the discipline of a hard-won meditation practice. We can depart our self in a state of “flow” at work, too. But, if you want to leave your consciousness behind without industrious effort, these will not do.

Standard variety vacations suffice, especially if they take you to a place of anonymity, a strange culture, away from work and obligation: in the most positive sense, out of your mind. The tendrils of thought pulling you back to homely discontent are cut.

No judgement here. Relief is necessary. Distraction and diversion take many forms. We don’t always choose our evasive poisons or medicines wisely, but one cannot make the best of reality without the occasional departure from the realm of the hard and real. Passing time without flights of fancy would be too grim.

Here’s to the high flyers, the ones climbing toward the clouds in search of cloudiness. It is true, the upper reaches are opaque, but where is it written we must always be clear-eyed?

Smile, laugh, and make love. Or, as the old verse tells us, “Eat, drink, and be merry, for tomorrow you will die.”

So says the Bible!

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The first image is Tape Floor by Jim Lambie. The second is Fenix by Josignacio. Finally, Dancers by Degas. All are sourced from Wikiart.org/